Poetry ~ Chad Norman SURVIVAL: HERE I AM! for Nicoleta My foot in a favourite slipper taps just above the carpet installed years ago, across the room filled with the songs of Bad Co. making me cry, feel for the days I was 15. Here I am back with Mystery or am I moving ahead holding its hand not knowing a thing about the future, standing nonetheless on "Only", a place I was afraid of, standing though, only, only, only... Steps continue to be effective one, still after, one, how to be about survival, how I will survive again, moving still, an older man I want, an older thought of who he is, or, perhaps, an older me now ready for the newness I know nothing about. I see the bird feeder is being soiled. I revere the birds unafraid of the storm. Here I am, asking for nothing, with no hands brought to a prayer, here I am setting out to help the crows who always have an answer first. ~ WHERE THE PATH IS MELTING How quiet can a child be? Please, please, bury me with Hope Sandoval singing, "In To Dust" as the singer of Mazzy Star, as the world becomes more bizarre. How quiet can a man be? Thank you, thank you, hear me with only these words, my words, no famous singer, just me, saying these lines, just the world ignoring the poet. It is day now, so daylight talks, in among all the voice of Winter lodged where cold isn't a brute, but when I recall that child asking for so little when so little I love how much I don't know, I don't want to know. Done with the branches' strengths you come up the driveway with perfect legs, playing yourself through strings and power left to a song you know I know. The one left of where the pen sat, yes, over in the drawer you protect where the child & man have laughed over and over because life gives, of course, gives each one a bit of daylight and darkness. Something someone will find out in the middle of a field where snow drifts over old footprints. The melting path of all planning to leave homelands being bombed or lied to, taken from their children they believe Canada can help raise, can help to get to the other side where a piece of clear ground is found. No snow, no wind, no opposition to them simply hoping to stand and not slip on any wish to have them fall. ~ THE PROOF IS IN THE PUPPETEERS for Michael M. Beauty is also found in the arrival of darkness, I watched as the clouds became the new land and dear, rainy Glasgow disappeared beneath them, it was then I remembered my son, the one I don’t like to call step-son, the one I have heard say he loves me. And that has been enough throughout all the years we managed to stay alive here in a country where the news given to the public in all ways he now as a young man of 19 finds impossible to believe, a young man alive in times glutted with sources, sources he will not trust, a young man I sit and listen to, hearing his plight, hearing him asking for honesty, asking me to accept his pure mistrust, or is it distrust, or is it being lost? How many living-rooms are open for his calm, for him to sit and look at me, sitting in my beliefs about all of it, all of what I can say something about, so he has more than my face looking as searching as his. Just the sofa and chair there holding us for those moments when we were able to share not only opinions and vehemence but all the easy-to-discern lies we both were being fed, and unfortunately paying for in order for all of it to enter the room where we sat briefly, a room we grew up in, a room now filled with a world we knew was better than we heard, a world we knew to be the one being lied about, a room where my son was able to reveal his feelings brought about by a look in my eyes too, a look so vital we felt life very close, so close the talk faded into smiles. Humour is also heard in the departure of silence, I smiled thinking of Wales how much I had left there, most of the world’s strife and how I needed my wife, the woman who gave me him that far-away young man filled with all what he deals with daily. But the dismay right beside me, the load I know we both carried even though an ocean then was between us, was more than him and his young years, a load I will try to take from his shoulders, from his doubts I do not wish to see there any longer. A beauty and humour our lives will go on with, our chats cannot stop being chats, even though all of the world we hear about isn’t always the world where we try to live. There are strings attached to them, strings being agreeable in the hands of the puppeteers, old, too old, men dependent on the corporations they have misled for the benefits, for the lack of creative abilities on how and when to make their tugs, their pulls, on each string to somehow mean goodness for those they desire to swindle, and continue to leave my son without a direction, a quiet time where he could get behind the removal of anything I ever let set in my pointing eyes. Hope is also found in the whispers of the ones our bodies and doubts have made. The meaning of us, of all of it, in a photo, someone will find one soundless day, one, perhaps, in the future when the word people will always be chosen before migrant, immigrant, or even refugee. ~ MAKE-UP ARTIST FOR A NEIGHBOURHOOD STONE During the invasion of a virus throughout the smogless streets I am thankful to use my winter-gloved fingers to gladly wipe away a group of smaller stones someone not so hopeful chose to cover the larger stone there on the healing earth with a message saying, "Don't Worry", painted on it in yellow and left by some brilliant child, a hand I wish I could shake and hold onto until forever returns. ~ Chad Norman, Truro, NS, Canada His poems have appeared for the past 35 years in literary publications across Canada, as well as a number of other countries around the world. He hosts and organizes RiverWords: Poetry & Music Festival each year in Truro, NS., held at Riverfront Park, the 2nd Saturday of each July. In October 2016 he was invited by the Nordic Assn. for Canadian Studies to give talks on Canadian Poetry and read from his books at Borupgaard Gym in Copenhagen, and Risskov Gym in Aarhus, as well as other readings in both cities and Malmo, Sweden. Because of that tour Norman has started the manuscript, Counting Coins In Denmark And Sweden. His most recent books are Selected & New Poems, from Mosaic Press, and Waking Up On The Wrong Side of The Sky, from Grant Block Press, and a new book, Squall: Poems In The Voice Of Mary Shelley, is due out Spring 2020, from Guernica Editions. Recently, he completed the manuscript, The Black Rum Poems, and presently works on a new manuscript, A Small Matter of Inclusion. In October of 2017 he read at various Eastern Canada venues in Kingston, Ottawa, and Montreal. And in the Fall of 2018 Norman gave a speaking/reading tour of Scotland, Ireland, and Wales, as a celebration of literacy and Canadian Poetry. He is currently a member of the Federation of NS Writers and The League Of Canadian Poets. His love of walks is endless.
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