Poetry ~ Mohammad Zahid 1. Museum of Memories The impressions of the glass panes crawl across the dark floor sunlight smells the dust settled on unchartered surfaces; moonlight follows, licking off any trace of the evading sun obsessed with its undying fetish to tailgate the solar star. The cobwebs are busy with their sly lace work, constantly closing the crevices, corners, curtains, earning trophies for the arachnids, nursing their appetence. The features in the photo-frames are faintly palpable. Tightly stacked books produce heaps of silverfish droppings of undigested words, letters, along with the punctuation. The rare snapping sound of old furniture cracking its joints, unwinding in a silent recoil of ages of compression by the occupants, rebounds from the hazy mirror. A waft of vapour escapes like a sigh, smelling of a youthful passion, sensuous, seductive, now silenced to cessation. There are some footprints too, saying someone entered and broke the rule with a sobbing soliloquy but left hurriedly on noticing the signboard that says, ‘visitors need to settle in silence’ – the only condition to enter the museum of my memories. ~ 2. The Meaning of My Silence Don’t ever ask what my silence means. Your questions shall fall short. Have you ever been lost in the woods at twilight; where the specters of tall dense pines play hide-and-seek like the will-o’-wisps, where even the sound of your breath is scary and the rustle of the footsteps haunts the heartbeats, whereby they cease for a while, while you feel afraid of even looking back? Such is my silence. Don’t ever ask what my silence means, you may not comprehend its shades Have you ever drowned in the depths of the oceans; where the hazy light slowly fades into darkness thereafter into the abyss of unknown realms where the shadows of monstrous creatures glide past and witness your fall into the cavernous caves wherein the darkness fuses with deafness and all you see is naught? Such is my silence. Don’t ever ask what my silence means. The sound of my silence is a shriek that may deafen anyone who lends an ear; its dimensions beyond the range of forbearance. You may perhaps imagine the resignation of the heart that carries it along, but don’t ever ask what my silence means. ~ Mohammed Zahid’s first collection of poems is The Pheromone Trail, (Cyberwit, 2013). He has read his poems at Guntur International Poetry Festival 2012, and Hyderabad Literary Festivals (2010, 2013). He is featured in TIMESCAPES, a poetry collection of 22 Indian poets, by Unisun Publications and Reliance Timeout. His poetry has appeared in peer reviewed journals like The Four Quarters Magazine, Maulana Azad Journal of English Language & Literature of MANUU Hyderabad, Lakeview International Journal of Literature and Arts, and Spilling Cocoa Over Martin Amis. He won the Unisun Publications Reliance Timeout Poetry award in 2010 for his poem Amante Egare. His own poems in English language and poetry translations from Kashmiri and Urdu feature in Sheeraza, a journal from Academy of Art, Culture and Languages, Srinagar, Kashmir. A major translation work by him on the criticism of Kashmiri poetry is being published shortly by the academy. He is a Translation Editor of Lakeview International Journal of Literature and Arts.
6 Comments
Fikha
3/10/2020 03:56:36 pm
The great poem.
Reply
Abid Gowhar
3/10/2020 10:19:55 pm
So deep that many would drown in depth.
Reply
8/27/2020 02:10:58 pm
Thanks for Sharing Its Very Informative For Me
Reply
10/27/2020 07:52:29 am
Thanks for sharing its very informative for me
Reply
2/14/2021 08:22:07 am
I like the valuable information you provide in your articles
Reply
3/8/2021 10:14:37 am
I like the valuable information you provide in your articles
Reply
Leave a Reply. |
StrandsFiction~Poetry~Translations~Reviews~Interviews~Visual Arts Archives
April 2024
Categories |